Perhaps in all these works, one could find a guide to serve as a reference to their author: symmetry, or the search for order by means of that old and simple recourse, that infuses the feeling of an archaic yet modern object, of being a totemic idol yet with the appearance of a modern logotype. And there ia a tendency to monumentality, so that these forms occupy a well defined space, with weight and with external boundaries.
The process – and the sculptures – terminate with the casting process and with the patina that confers that final, impressive finish that their author wishes, offering us these works which are filled with sincerity, power and balance, free of any stridence, that allow them to be viewed without surprises, and that communicate to the viewer all their expressive and symbolic capacity.